30.8.2023 - 24.9.2023 ( Week 1 - Week 4)
Gam Jze Shin / 0353154
Advanced
Typography / Bachelor of Design (Hons) in Creative Media
Task 1 /
Exercise: Typographic Systems & Type & Play Assignment
Index
1. Lectures
2. Instructions
3. Feedback
4. Reflection
5. Further Reading
Lectures
AdTypo_1_ Typographic Systems
Typographic organization is complex because the elements are dependent
on communication in order to function. There are eight major variations:
1. Axial System
fig. 1.1.1 Axial system
All elements are organized to the left or right of a single axis (red
line). The axis not necessary need to be straight, it can be bent.
Examples:
fig. 1.1.2 Axial System's poster
2. Radial System
fig. 1.1.3 Radial System
All elements are extended from a point of focus. Examples:
fig. 1.1.4 Radial System's poster
3. Dilatational System
fig. 1.1.5 Dilatational System
All elements expand from a central point in a circular fashion.
Examples:
fig. 1.1.6 Dilatational's poster
4. Random System
fig. 1.1.7 Random System
Elements appear to have no specific pattern or relationship. A method in the
chaos is created. Examples:
fig. 1.1.8 Random's poster
5. Grid System
A system of vertical and horizontal divisions. Information structured
to the different grids within the page with different sizes and weights.
(create emphasis and hierarchy) Examples:
fig. 1.1.10 Grid System's poster
6. Transitional System
fig. 1.1.11 Transitional System
An informal system of layered banding. Banding means segregating
information within certain bands. Examples:
fig. 1.1.12 Transitional's poster
7. Modular System
fig. 1.1.13 Modular System
A series of non-objective elements that are constructed in as a
standardized units. The square have to be standardized and same size.
Modular allows to move the individual units to different portions of page.
Examples:
fig. 1.1.14 Modular System's poster
8. Bilateral System
fig. 1.1.15 Bilateral System
All text is arranged symmetrically on a single axis. Examples:
fig. 1.1.16 Bilateral's poster
AdTypo_2_ Typographic Composition
Principle of Design Composition Typographic have 7 dominant principles which are emphasis, isolation, repetition,
symmetry and asymmetry, alignment, perspective, rhythm, contrast.
fig. 1.2.1 Typographic Composition
The Rule of Third
A photographic guide to composition. A frame divided into 3 columns and 3
rows. Intersecting lines are used as guide to place the point of
interest.
fig. 1.2.2 The rule of third
Grid System
fig. 1.2.3 Grid System
The reason why it remains popular because the versatility of the
system and modular nature even it seems to be old and rigid. It is also pragmatic options simply because our reading ability and we tends to
prefer the things that more ordered instead of the things that looks
messy.
fig. 1.2.4 Artwork for David Carson
In modernist era, younger designers try to challenge this notion of order
and explore chaos, randomness, and asymmetry in typographic systems. The
generation who being exposed to Punk and anti-establishment thoughts and music think the chaos was
exciting and new.
fig. 1.2.5 Modernist era's design
Environmental Grid
Based on the exploration of an existing structure or numerous structure
combined. Extraction of crucial lines (curved / straight) are formed.
fig. 1.2.6 Environmental Grid
Form and Movement
Based on the exploration of an existing Grid Systems. The placement of a
form on a page, over many pages creates movement. Whether the page is paper
or screen is irrelevant.
fig. 1.2.7 Form and Movement
The forms can be represent images, text or colour. Maintaining a
connection between one spread to another spread is important.
fig. 1.2.8 Form and Movement
AdTypo_3_Context&Creativity
Context means basically historical context. When talking some
specific topic, it is important to put it in its context to understand
it in greater depth.
Handwriting
Handwriting become the basic or standard for form, spacing and
conventions mechanical type would try and mimic. Shape and line of hand
drawn letterforms are influenced by the tools and materials used
to make them.
fig. 1.3.1 Tools of handwriting
fig. 1.3.2 Tools of handwriting
fig. 1.3.3 Evolution of the Latin Alphabet
Above is the handwriting in the earlier stages. BCE means
before common error, CE means common error after zero year. In
first stage, the letterforms is like ideogram. In Phoenician,
written languages takes a turn where based on sound as opposed
to pictorial representation of something. (Turning
point)
fig. 1.3.4 Ideogram
Cuneiform is the earliest system of actual writing. It
used in number of languages between the 34C. It written
from left to right.
Hieroglyphics. Egyptian writing system is fused with the
art of relief carving. It has the potential to use in three
different ways:
-
As ideograms to represent the things they actually
depict
-
As determinatives to show that the signs preceding are
meant as phonograms and to indicate the general idea of the
word
-
As phonograms to represent sounds that "spell out"
individual words
fig. 1.3.6 Hieroglyphics
Early Greek. (5th C.B.C.E)
-
Comprised of only capital letters written between two
guidelines organized them into horizontal loads.
-
Direction of reading did not fixed. (Left to right and
continue with right to left which like 'Ox plows') The words
will be reversed or flipped.
fig. 1.3.7 Early Greek
Roman Uncials
-
Became more rounded, the curved form allowed for fewer
strokes and could be written faster.
fig. 1.3.8 Roman Uncials
English Half Uncials (8th C.)
-
In England, it evolved into more slanted and
condensed
-
English and Irish evolved writing on the European continent
developed considerably and needed a reformer.
fig. 1.3.9 English Half Uncials
Carolingian Minuscule
-
Created around 800 from balanced stylized elements of various
predecessor scripts in the educational centers of the Carolingian
Empire.
-
New, clear, and uniform script that was introduced throughout the
country under the reign of Charlemagne.
fig. 1.3.10 Carolingian Minuscule
Black Letter (12-15 C. CE)
-
The term Gothic originted with the Italians who used it
to refer to rude or barbaric cultures north of the Italian
Alps.
The Italian Renaissance
-
Going back to the humanistic style
-
Humanist admired the Carolingian script, which had
clear open handwriting.
fig. 1.3.12 The Italian Renaissance
Movable Type (11 C. – 14 C.)
-
Printing(wood block) had already been practiced in
China, Korea and Japan.
-
Earliest known printed book (AD 868) is the Diamond
Sutra: 16 scroll with the world's first printed
illustration.
-
China attempt to use it but unsuccessful as the number
of characters and material used is clay.
Evolution of Western Vs Evolution of Chinese
fig. 1.3.13 - 1.3.14 Evolution of Western Vs Evolution
of Chinese
In Chinese, there are more documentary that recorded and
it is more detailed.
fig. 1.3.15 Indus
Indus Valley Civilization (IVC) script (3500-2000
BCE)
-
Oldest writing found in Indian.
-
No one convincingly deciphered it and it seems to have
some more logo symbolic nature
-
Some believe The symbols are non linguistic but some
argue that they represent Dravidian languages as they
are very similar.
fig. 1.3.16 Brahmi script
Brahmi script (450–350 BCE)
-
Earliest writing system developed in India after Indus
script.
-
One of the most influential writing systems.
-
All modern Indian scripts and several hundred scripts
found in Southeast and East Asia are derived from
Brahmi.
fig. 1.3.17 Pallava\
Pallava (Pallawa in Malay)
-
South Indian script originally used for writing
Sanskrit and Tamil.
-
Highly influential, becoming the basis for writing
systems across Southeast Asia.
fig. 1.3.18 Pra-nagari
Pra-nagari
-
Used in India for writing Sanskrit.
-
Can be seen today in the Blanjong inscription
of Bali
fig. 1.3.19 Kawi
Kawi
-
Writing style using in Laguna Copperplate
inscription.
-
The word Kawi comes from the Sanskrit term kavya
meaning poet.
-
Script used for contact with other kingdoms as it was
so widespread.
-
Basis of other scripts in both Indonesia and
Philippines
fig. 1.3.20 Incung
Incung
-
Original writing system for people from Kerinci but not
Jawi.
-
Others script from Indonesia : Batak script, Bugis
script, Javanese script...
fig. 1.3.21 Jawi
JawI
-
Arabic-based alphabet.
-
Introduced along with Islam.
-
In modern Malaysia, Jawi is of greater importance as it
is the script used for all our famous works of
literature.
Why is handwriting important in the study of
typography?
The first mechanically produced letterforms were designed
to directly imitate handwriting.
fig. 1.3.22 Baloo
Baloo
- A perfect blend of pointy paws in a coat of fur.
- An affable display typeface by EK Type.
fig. 1.3.23 MURASU
-
In Malaysia, it spear-headed by programmer and
typographer Muthu. The programming language needed to
encode the different types of vernacular writing
systems was cracked by Muthu.
Instructions
Task 1: Exercise 1 - Typographic Systems
We need to design 8 different layout which is Axial, Radial,
Dilatational, Random, Grid, Modular, Transitional and Bilateral. We should
explore it by using the content below:
The Design School,
Taylor’s University
All Ripped Up: Punk Influences on Design
or
The ABCs of Bauhaus Design Theory
or
Russian Constructivism and Graphic Design
Open Public Lectures:
June 24, 2021
Lew Pik Svonn, 9AM-10AM
Ezrena Mohd., 10AM-11AM
Suzy Sulaiman, 11AM-12PM
June 25, 2021
Lim Whay Yin, 9AM-10AM
Fahmi Reza, 10AM-11AM
Manish Acharia, 11AM-12PM
Lecture Theatre 12
* Chosen topic
Research
Before I designing the layout based on the typographic systems, I tried
to understand every system. Some of it looks similar such as Grid System
and Modular System and I afraid I might make mistake on it.
Axial
-
Using one line. ( can be diagonal/ straight line)
-
Follow the line.
Radial
fig. 2.1.2 Radial
-
From one point expand.
-
The shape looks like sun.
Dilatational
-
Circle shape.
-
The circle line is continuous.
Random
-
Using different elements.
-
Random but not too complicated until cannot focus on the content.
Grid
-
Neat layout.
-
Looks like calendar.
Modular
-
Separate into many boxes.
-
Content must inside the boxes.
Transitional
-
Can be straight / curve.
-
The movement from up to down.
Bilateral
fig. 2.1.8 Bilateral
-
More than one axis.
-
Horizontal and vertical.
From the references I found via online, I obtained some inspirations
and ideas especially the arrangement of the text and also elements
using.
Sketches
fig. 2.2.1 - 2.2.2 Handwriting sketches (Week 1, 2.9.2023)
At first, I draw out my rough idea on paper. Through this way, I
will get more inspiration. After exploring with this method, I draw
in on my Ipad.
fig. 2.2.3 Digital sketch (Week 2, 3.9.2023)
Above is my draft I draw in Ipad. It will save my time when I
make it in InDesign as I probably have ideas. However, sometimes
it may change when it can be done in a better ways.
Digitization
InDesign Progress
fig. 2.3.1 InDesign Progress (Week 2, 3.9.2023 - 10.9.2023 )
fig. 2.3.2 InDesign Progress (Week 2, 3.9.2023 - 10.9.2023)
This is the proof that I making my typographic systems by
using InDesign. From this exercise, the tools that I usually
used are type tool, line tool, ellipse tool to design my
composition. Besides, the guide lines in InDesign is also
useful for me to follow the balance and the rules of
typographic systems.
First Typographic Systems Attempt
Axial
fig. 2.3.3 - 2.3.4 Axial attempt #1, 2 (Week 2, 3.9.2023)
In my opinion, Axial systems is the most easiest system among the
eight systems. However, it is more challenging things for us to make
it more creative. After I attempting it, I think I can include colour
on it to enhance the visual effect.
Radial
fig. 2.3.5 - 2.3.6 Radial attempt #1, 2 (Week 2, 3.9.2023)
The first idea when I doing radial system is sun. Hence, I tried to
make it like a sun and which emit light (words / information). The
right part of the attempt 1 is in different colour to emphasize the
importance of that part.
Dilatational
fig. 2.3.7 Dilatational attempt #1 (Week 2, 4.9.2023)
For Dilatational, it mostly about circle. Thus, I
make it looks like snail shape which from big to small
and from external to internal. The sequence of
information: TITLE > EVENT > DETAILS (Dates/
Time)
Random
fig. 2.3.8 Random attempt #1 (Week 2, 4.9.2023)
At the beginning, I have no idea on random systems. I direct
include all the given information in my page and I placed them
randomly. After that, I added some graphical elements such as
circle and line. I also apply another typographic systems on
it such as radial system.
Grid
fig. 2.3.9 - 2.3.10 Grid attempt #1, 2 (Week 2, 4.9.2023)
At first, I separate the page into 3 X 3 grid. I tried to place the
information and details on it. However, I noticed that I must follow
the grid that included on the page to show grid system.
fig. 2.3.11 - 2.3.12 Modular attempt #1,2 (Week 2, 4.9.2023)
I separate the page into 3 X 3 grid. After that, I decided to place the main title on the middle
box and the details information on corner. There are some empty
place on the left space and I tried to add on the graphical elements
on it.
Transitional
fig. 2.3.13 Transitional attempt #1 (Week 2, 4.9.2023)
I placed the title on the middle with irregular line. After
this, I include the rest following by the title. Hence, it
will look like irregular pattern.
Bilateral
fig. 2.3.14 Bilateral attempt #1 (Week 2, 4.9.2023)
I tried to make the title a bit different which separate into
left and right. The title include horizontal and vertical axis.
The information are placed on left and right corner.
Refined Typographic System
After showing Mr.Vinod my work, I realized that I have some
mistakes on it. Therefore, I would like to correct it. Apart
from that, I decided to add colour on my typographic systems so
it would not look like too simple and dull.
Axial
fig. 2.4.1 Axial System refined attempt #1 (Week 2, 7.9.2023)
In addition to add colour on it, I also slightly change the
position to make it balance. I tried and debated for a long time
about what colour I should use and finally settled on orange as
it not only looks conspicuous but also goes well with
black.
Radial
fig. 2.4.2 Radial System refined attempt #1 (Week 2, 7.9.2023)
I changed the right part of it as I do it wrongly in my
first attempt. The arrangement should be same like the left
part.
Dilatational
fig. 2.4.3 Dilatational System refined attempt
#1 (Week 2, 8.9.2023)
Mr. Vinod said that I must aware of the smoothness of the
circle. Then, I refined it to become more smooth and
curve. Besides, I placed the excess information on the
gaps in the circle and also make it in different colour to
show the importance of it.
Modular
fig. 2.4.4 Mdular System refined attempt #1 (Week 2, 8.9.2023)
In my first attempt, I did not noticed that the
middle part of title did not placed in the middle
grid. After noticing it, I make it in the grid and
also include some colour on it.
Bilateral
fig. 2.4.5 - 2.4.7 Bilateral System refined attempt
#1,2,3 (Week 2, 10.9.2023)
The first image is after I tried to place all
the information on the axis. However, I think
it is difficult to arrange it as there will be
a lot of axis and it also will become very
complicated. So, I created a new idea on it
which is the second image. Then, I noticed
that it has more than one axis line and I
refined it to fulfill the bilateral
rule.
Final Task 1 - Exercise 1: Typographic Systems
fig. 2.5.1 Final Axial System -
JPEG (Week 2, 10.9.2023)
fig. 2.5.2 Final Radial System -
JPEG (Week 2, 10.9.2023)
fig. 2.5.3 Final Dilatational System -
JPEG (Week 2, 10.9.2023)
fig. 2.5.4 Final Random System -
JPEG (Week 2, 10.9.2023)
fig. 2.5.5 Final Grid System - JPEG (Week 2, 10.9.2023)
fig. 2.5.6 Final Modular System -
JPEG (Week 2, 10.9.2023)
fig. 2.5.7 Final Transitional System -
JPEG (Week 2, 10.9.2023)
fig. 2.5.8 Final Bilateral System -
JPEG (Week 2, 10.9.2023)
fig. 2.5.9 Final Task 1 - Exercise 1:
Typographic Systems - PDF (Week 2, 10.9.2023)
fig. 2.5.10 Final Task 1 - Exercise 1:
Typographic Systems with grids - PDF (Week 2, 10.9.2023)
Task 1: Exercise 2- Type and Play
We are asked to select an image of a man-made object/ structures
(chair, glass, buildings...) or something from nature(tree, river,
hill...) From that image, students need to analyze, dissect and identify potential letterforms. The
forms would be explored and ultimately digitized.
Choosing Image
In week 2 class, Mr. Vinod give us some times to find an image that
we want to explore. After choosing it, we should show him so he can
give us some advices and approve our chosen image.
fig. 2.6.1 - 2.6.2 Image chosen and image with extraction
letters (Week 2, 6.9.2023)
I showed him this image that I found from my gallery. Mr. Vinod
suggested that it will be more challenging if the structure of the
letterforms is not obvious in the image as we need to deconstruct
it.
fig. 2.6.3 - 2.6.4 Second image chosen and image with extraction letters (Week 2, 8.9.2023)
Then, I decided to find other images which showed above. I tried to
find letters on the image and draw it out as draft.
Identifying letterforms
fig. 2.7.1 Identify image letters (Week 2, 8.9.2023)
I observed that the both ends of the gummies are rounded. As the
gummies are soft and long, it has no fixed shape and it can be
curved, straight or even twisted. Besides, the middle of gummies is
separated in two colours.
Extracting Letterforms and Compare with Reference
Typeface
From the letters that I identify, I extract it in Adobe
Illustrator. Then, I find some reference typefaces and put bellow of
my letters to see the comparison obviously.
fig. 2.6.6 Extracting letters and compare with reference
typeface (Week 3, 11.9.2023)
Refining Letterforms
fig. 2.8.1 Refining progress (Week 3, 11.9.2023)
I refined the letters based on my reference typeface with the
black stroke and transparent structure. Hence, I can see the
structure obviously to refine my letters.
fig. 2.8.2 Refining progress (Week 3, 11.9.2023)
In order to remain the original element of the letters, I
separated the letters by using white lines. Besides, for upper
part I colour it in black and below fill with white colour with
black stroke to show the different colour part of the
gummies.
fig. 2.8.3 Refining compare (first and last) (Week 3, 11.9.2023)
From the image we can see the different of the extracted
letterforms and also refined letterforms.
fig. 2.8.4 Refining progress (Week 3, 11.9.2023)
After Mr. Vinod giving me suggestion, I removed the gay
between the letter. Besides, I also smoothen the stroke of the
letterforms. Upon completing it, we should combine our
letterforms with a visual. The images chosen must related to
the previous image's object.
Combining in Poster
fig. 2.9.1 Progress in Adobe Illustrator (Week 3, 16.9.2023)
As my main object is gummies, I tried to find the picture of
gummies via Pinterest. There are a lot of images which full in
gummies but I did not choose it as it looks complicated. In short, I
choose a image which placing a can of gummies in the middle of the
image. After that, I combine it with my letterforms.
fig. 2.9.2 Poster attempt#1 (Week 3, 16.9.2023)
The poster size is 1024px X 1024 px and we need to make it as a
film poster. Hence, I included my letterforms on the upper part.
The main object is at the middle and the details will at the
bottom. The reasons that I use purple in colour in the whole
poster is it looks more mystery.
fig. 2.9.2 Poster attempt#2 (Week 3, 16.9.2023)
This is my second attempt. I changed a bit layout of the poster
which is changing the middle words to upper part as it looks more
better and the middle object will be emphasis.
Final Type and Play (Part A)
fig. 2.10.1 Image chosen (Week 3, 17.9.2023)
fig. 2.10.2 Extraction letterforms with baseline (Week 3, 17.9.2023)
fig. 2.10.3 Extraction letterforms without baseline (Week 3, 17.9.2023)
fig. 2.10.4 Final letterforms with baseline (Week 3, 17.9.2023)
fig. 2.10.5 Final letterforms without baseline (Week 3, 17.9.2023)
fig. 2.10.6 Compare extraction and final
letterforms (Week 3, 17.9.2023)
fig. 2.10.7 Letter 'C' (Week 3, 17.9.2023)
fig. 2.10.8 Letter 'A' (Week 3, 17.9.2023)
fig. 2.10.9 Letter 'N' (Week 3, 17.9.2023)
fig. 2.10.10 Letter 'D' (Week 3, 17.9.2023)
fig. 2.10.11 Letter 'Y' (Week 3, 17.9.2023)
fig. 2.10.12 Final poster (Week 3, 18.9.2023)
fig. 2.10.12 Final poster (Week 3, 18.9.2023)
Honor Competition
fig. 3.1 Gleeful Giving (Week 6, 7.10.2023)
fig. 3.2 Gleeful Giving - Wallpaper (Week 6, 7.10.2023)
fig. 3.3 Gleeful Giving - PDF (Week 6, 7.10.2023)
Feedback
Week 2
General Feedback: Mindful of balance in the layout. Ensuring
Titles Remain Unobscured in a Random System.
Specific Feedback: Bilateral system and Modular should be redo it as it is wrong layout. For
Dilatational system, the circle can be more smooth. The right part of
radial system need to be corrected like the left part.
Week 3
General Feedback: Final letterforms better to reflect the original
object's characteristics.
Specific Feedback:
The stroke should be smoother as some of it looks flat such as the right
upper part of 'Y'. Besides, the gap of the letterforms can be removed
because the original gummies did not have gap. In addition, Mr. Vinod
suggested me try to add on the texture of the gummies by using brush in
illustrator.
Reflection
Experiences
When I know about the eight typographic system, I felt it is
interesting and did not believe that there are a lot of systems that can
be applied in a composition. After I learning it, I thought some of them
are similar and it just contains slightly different between one another.
Upon completing it, I feel satisfied on learning this knowledge in this
task even the time given for it is limited.
Observations
I observed that it is not easy to be creative while fulfilled the rules
of the system, because we not only have to focus on the overall beauty
but also ensure that it is completed under the specified requirements.
Hence, for typographic system, it can be done easily and correctly but
maybe not creative enough. Apart from that, I noticed there are a lot of
things in our life is very potential for us to explore in order to
design something new and fun. Carefully discovering the small details of
many different things may give us more inspiration.
Findings
For this task, I realized that even the typographic system have
specific rules for us to follow but it still include many various ways
and styles to express the system. Besides that, there are a lot of
typefaces and fonts that we can explore and learn for. From there, we
will know about the characteristics of the typefaces and how the way to
design a good and work typefaces.
Further Reading
fig. 4.1.1 Typographic Systems book
Reference:
Elam, K. (2007)
Typographic Systems.
Princeton Architectural Press, New York
fig. 4.1.2 - 4.1.4 Systems and Examples
Above are the information that related to what I studied in task 1.
After reading it, I have more understanding on the certain system as
some of it looks similar.
Constraints and Options
Line Breaks - Lines may be broken at will to make multiple lines.
fig. 4.2.1 -4.2.2 Line Breaks
Leading - Can be tight to overlapping or wide and airy.
fig. 4.2.3 -4.2.4 Leading
Word and Letter space - It may cause different textures. When word spacing increase,
letter spacing also need to increase to avoid confusion.
fig. 4.2.5 Word and Letter space
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